Mark Matthews, Lead Instructor, SP/G (727) 341-4364
Nancy Smith, Academic Department Chair, SP/G (727) 341-4361
Dr. Jonathan Steele, Dean, CL (727) 791-5987
Additional Information: MIRA Program
APPROVED REQUIREMENTS FOR STUDENTS WITH CATALOG YEAR
20112/0450 (BEGINNING 1/9/12) OR LATER
~ REFER TO CURRICULUM FILES FOR PREVIOUS CATALOG YEAR REQUIREMENTS ~
GENERAL EDUCATION COURSES (18 credits) |
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| * Enhanced World View Requirement | ||
| ENC 1101 - COMPOSITION I or (Honors) | 3 | |
| SPC 1065 | BUSINESS AND PROFESSIONAL SPEAKING | 3 |
| or (SPC 1017, SPC 1017H, SPC 1608 or SPC 1608H) | ||
| * Humanities/Fine Arts Approved Course | 3 | |
| Mathematics - One college level course with MAC, MAP, MAS, MGF, MTG, or STA prefix | 3 | |
| * Social & Behavioral Sciences Approved Course | 3 | |
| PHI 1631 | STUDIES IN PROFESSIONAL ETHICS | 3 |
| or (PHI 1600, PHI 1602H, PHI 2635 or PHI 2649) | ||
| Computer/Information Literacy Competency Requirement | ||
CORE COURSES (22 credits) |
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| MUM 1310 | LEGAL ISSUES FOR THE MUSICIAN I - COURT SYSTEM AND CONTRACT LAW | 1 |
| MUM 1311 | LEGAL ISSUES FOR THE MUSICIAN II - INTELLECTUAL PROPERTY LAW | 1 |
| MUM 1312 | LEGAL ISSUES FOR THE MUSICIAN III - LABOR AND EMPLOYMENT LAW | 1 |
| MUM 2600 | MUSIC TECHNOLOGY AND RECORDING TECHNIQUES I | 3 |
| MUM 2601 | MUSIC TECHNOLOGY AND RECORDING TECHNIQUES II | 3 |
| MUM 2601L | MUSIC TECHNOLOGY AND RECORDING TECHNIQUES II LAB | 1 |
| MUM 2602 | MUSIC TECHNOLOGY AND RECORDING TECHNIQUES III | 3 |
| MUM 2602L | MUSIC TECHNOLOGY AND RECORDING TECHNIQUES III LAB | 1 |
| MUM 2603 | MUSIC TECHNOLOGY AND RECORDING TECHNIQUES IV | 3 |
| MUM 2700 | AN INTRODUCTION TO THE BUSINESS OF MUSIC | 1 |
| MUM 2702 | PROMOTING AND MERCHANDISING MUSICIANS | 1 |
| MUS 1621 | ACOUSTICS AND PSYCHOACOUSTICS | 3 |
SPECIALIST SUBPLANS (23 credits) |
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| Subplan A: PRODUCTION (PROD) (23 credits) | ||
| MUM 1629 | AUDIO MIXING TECHNIQUES I | 3 |
| MUM 1629L | AUDIO MIXING TECHNIQUES I LAB | 1 |
| MUM 1662 | LIVE SOUND REINFORCEMENT TECHNIQUES | 3 |
| MUM 1942 | INTERNSHIP: SOUND ENGINEERING I | 3 |
| MUM 2609 | CRITICAL LISTENING: ANALYSIS OF CONTEMPORARY PRODUCTION TECHNIQUES | 3 |
| MUM 2678 | AUDIO MIXING TECHNIQUES II | 3 |
| MUM 2678L | AUDIO MIXING TECHNIQUES II - LAB | 1 |
| MUM 2945 | INTERNSHIP: SOUND ENGINEERING II | 3 |
| MUT-1001 - FUNDAMENTALS OF MUSIC OR | 3 | |
| MUT 2341 | CONTEMPORARY MUSIC THEORY I | 3 |
OR Subplan B : ARTIST WITH COMPOSITION FOCUS (23 credits) |
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| MUC 1606 | A COMPOSER'S GUIDE TO THE RECORDING STUDIO | 3 |
| MUC 1621 | COMPOSITION IN MODERN MEDIA I | 2 |
| MUC 2000 | SONGWRITING | 2 |
| MUC 2001 | SONGWRITING II | 2 |
| MUC 2631 | AVID PRO TOOLS FOR THE COMPOSER | 3 |
| MUC 2622 | COMPOSITION IN MODERN MEDIA II | 2 |
| MUT 2341 | CONTEMPORARY MUSIC THEORY I | 3 |
| MUT 2341L | CONTEMPORARY EAR TRAINING I | 1 |
| MUT 2342 | CONTEMPORARY MUSIC THEORY II | 3 |
| MUT 2342L | CONTEMPORARY EAR TRAINING II | 1 |
| MVK 1111 | CLASS PIANO I | 1 |
| OR Any one-credit applied keyboard course with an MVK or MVJ prefix. |
(1) | |
OR Subplan C: ARTIST WITH PERFORMANCE FOCUS |
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| DAA 1810 | STAGE MOVEMENT TECHNIQUE | 1 |
| MUM 1030 | PERFORMANCE TECHNIQUES | 1 |
| MUN 1700 | IMPROVISATION TECHNIQUES | 1 |
| MUT 2341 | CONTEMPORARY MUSIC THEORY I | 3 |
| MUT 2341L | CONTEMPORARY EAR TRAINING I | 1 |
| AND | ||
| MVK 1111 | CLASS PIANO I | 1 |
| MVK 2121 | CLASS PIANO II | 1 |
| OR Any two levels of secondary instrumental study from MVS, MVK, MVB, MVJ, MVP, MVV prefixes. |
(2) | |
ENSEMBLES - Select 6 credits: |
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| MUN 1031 | ROCK ENSEMBLE I | 1 |
| MUN 1032 | ROCK ENSEMBLE II | 1 |
| MUN 1710 | JAZZ BAND | 1 |
| MUN 1711 | JAZZ COMBO | 1 |
| MUN 1712 | JAZZ COMBO II | 1 |
| MUN 1718 | RHYTHM & BLUES ENSEMBLE | 1 |
| MUN 1810 | STEEL DRUM ENSEMBLE | 1 |
| MUN 2004 | RECORDING STUDIO ENSEMBLE | 1 |
| MUN 2022 | LAPTOP AND ELECTRONIC ARTS ENSEMBLE | 1 |
| MUN 2709 | RHYTHM SECTION BOOT CAMP | 1 |
| MUN 2719 | RHYTHM AND BLUES ENSEMBLE II | 1 |
APPLIED LESSON ELECTIVES - Select 8 credits not already taken: |
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| MUM 1034 | VOCAL COACHING FOR THE RECORDING STUDIO | 2 |
| MUM 2035 | VOCAL COACHING FOR THE RECORDING STUDIO II | 2 |
| MVB 1317 | CONTEMPORARY BRASS TECHNIQUES I | 2 |
| MVB 2327 | CONTEMPORARY BRASS TECHNIQUES II | 2 |
| MVJ 1010 | APPLIED MUSIC ENRICHMENT - JAZZ PIANO | 1-2 |
| MVJ 2020 | APPLIED MUSIC ENRICHMENT - JAZZ PIANO | 1-2 |
| MVK 1115 | POPULAR PIANO TECHNIQUES | 1-2 |
| MVK 1215 | CONTEMPORARY KEYBOARD TECHNIQUES I | 2 |
| MVK 2125 | POPULAR PIANO TECHNIQUES II | 1-2 |
| MVK 2225 | CONTEMPORARY KEYBOARD TECHNIQUES II | 2 |
| MVP 1317 | CONTEMPORARY DRUMKIT TECHNIQUE I | 2 |
| MVP 2327 | CONTEMPORARY DRUMKIT TECHNIQUE II | 2 |
| MVS 1317 | CONTEMPORARY BASS TECHNIQUES I | 2 |
| MVS 1318 | CONTEMPORARY GUITAR TECHNIQUES I | 2 |
| MVS 2327 | CONTEMPORARY BASS TECHNIQUES II | 2 |
| MVS 2328 | CONTEMPORARY GUITAR TECHNIQUES II | 2 |
| MVV 1317 | CONTEMPORARY VOCAL STYLE I | 1-2 |
| MVV 2327 | CONTEMPORARY VOCAL STYLE II | 1-2 |
| MVW 1317 | CONTEMPORARY WOODWIND TECHNIQUES I | 2 |
| MVW 2327 | CONTEMPORARY WOODWIND TECHNIQUES II | 2 |
TOTAL PROGRAM HOURS |
63 |
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SUGGESTED ELECTIVE CHOICES (For Subplans A and B, if course has not already been taken) |
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| DAA 1810 | STAGE MOVEMENT TECHNIQUE | 1 |
| MUC 1603 | ANALYSIS OF SONG LYRICS | 3 |
| MUC 1606 | A COMPOSER'S GUIDE TO THE RECORDING STUDIO | 3 |
| MUC 2001 | SONGWRITING II | 2 |
| MUH 2052 | THE MUSIC OF THE WORLD | 3 |
| MUL 1017 | HISTORY OF ROCK I (1950-1979) | 3 |
| MUL 2018 | HISTORY OF ROCK II (1980-PRESENT) | 3 |
| MUL 2380 | HISTORY OF POPULAR MUSIC | 3 |
| MUM 1030 | PERFORMANCE TECHNIQUES | 1 |
| MUM 1623 | ELECTRONIC MUSIC: SYNTHESIS AND SAMPLING I | 3 |
| MUM 1624 | ELECTRONIC MUSIC: SYNTHESIS AND SAMPLING II | 3 |
| MUM 1629 | AUDIO MIXING TECHNIQUES I | 3 |
| MUM 1629L | AUDIO MIXING TECHNIQUES I LAB | 1 |
| MUM 2609 | CRITICAL LISTENING: ANALYSIS OF CONTEMPORARY PRODUCTION TECHNIQUES | 3 |
| MUM 2612 | CRITICAL LISTENING II: ANALYSIS OF CONTEMPORARY PRODUCTION TECHNIQUES | 3 |
| MUM 2640 | POST PRODUCTION SOUND | 3 |
| MUM 2670 | AVID PRO TOOLS 101/110 | 3 |
| MUM 2671 | AVID PRO TOOLS 201/210 | 3 |
| MUM 2679 | AVID PRO TOOLS 310M (EXPERT CERTIFICATION) | 3 |
| MUM 2672 | PRO TOOLS FOR GAME AUDIO (PT130) | 3 |
| MUM 2677 | LIVE SOUND REINFORCEMENT TECHNIQUES II | 3 |
| MUM 2678 | AUDIO MIXING TECHNIQUES II | 3 |
| MUM 2678L | AUDIO MIXING TECHNIQUES II - LAB | 1 |
| MUM 2680 | AUDIO ENGINEERING FOUNDATIONS | 3 |
| MUN 1031 | ROCK ENSEMBLE I | 1 |
| MUN 1032 | ROCK ENSEMBLE II | 1 |
| MUN 1441 | HAND DRUMMING TECHNIQUES | 1 |
| MUN 1700 | IMPROVISATION TECHNIQUES | 1 |
| MUN 1710 | JAZZ BAND | 1 |
| MUN 1711 | JAZZ COMBO | 1 |
| MUN 1712 | JAZZ COMBO II | 1 |
| MUN 1718 | RHYTHM & BLUES ENSEMBLE | 1 |
| MUN 1810 | STEEL DRUM ENSEMBLE | 1 |
| MUN 2004 | RECORDING STUDIO ENSEMBLE | 1 |
| MUN 2022 | LAPTOP AND ELECTRONIC ARTS ENSEMBLE | 1 |
| MUN 2719 | RHYTHM AND BLUES ENSEMBLE II | 1 |
| MUN 2720 | CONTEMPORARY VOCAL PERFORMANCE FUNDAMENTALS | 1 |
| MVK 1111 | CLASS PIANO I | 1 |
| MVK 2121 | CLASS PIANO II | 1 |
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